Alma Tadema
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Alma Tadema Museum
8 January 1836 – 25 June 1912. Most renowned painters.

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George P.A.Healy
The Peacemakers

ID: 49353

George P.A.Healy The Peacemakers
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George P.A.Healy The Peacemakers


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George P.A.Healy

American Painter, 1813-1894 American painter, active also in Europe. At the age of 17 he set up a studio in Boston after receiving encouragement from Thomas Sully, who was painting portraits there. Despite his youth and lack of training, he presented himself to the society figure Mrs Harrison Gray Otis and asked if he might paint her portrait (untraced); she agreed and later sponsored Healy's first trip abroad. In 1834 he entered the studio of Antoine-Jean Gros; the French master's suicide the following year ended Healy's only sustained period of artistic study. In Gros's studio he first encountered Thomas Couture, but they did not meet again until the next decade  Related Paintings of George P.A.Healy :. | Blue Eyes or Portrait of Madame Jeanne Hebuterne (mk39) | Arab or Arabic people and life. Orientalism oil paintings 578 | Don Cossack on horse | The Young Cicero Reading | Style life with lobster |
Related Artists:
charles billoin
1813-1869
studio of giotto
b. 1267, Vespignano, d. 1337, Firenze
jose Madrazo Y Agudo
Spanish Neoclassical Painter, 1781-1859 was a Spanish painter of the Neoclassic period. Born in Santander. Studied in Madrid with Cosme de Acuna and Gregorio Ferro, both rectors of the Academia de San Fernando at the beginning of the 19th century. Don Fernando La Serna, who was named ambassador to France at the time, brought Madrazo to Paris, where he entered the studio of Jacques-Louis David. There, under royal patronage from King Carlos IV, he executed a painting of the Death of Lucretia and other canvases on events from classic Greco-Roman history. He moved to Rome during Napoleonic times, where he was briefly jailed for failing to complete oaths of loyalty to the newly installed Napoleon II of France as King of Rome. In Rome, he was admitted to the Accademia di San Luca. King Carlos IV named him pintor de camara (painter of the chamber), a position confirmed by King Ferdinand VII.






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